Alann lobo rojo De Vuyst - INSTALLATIONS

Pictures of things a little more abstract, such as a performance or an installation, which, since 1996, I occasionally do combined with my pictorial shows

dated 1996 until 2006, react to the artist (click on an image to enlarge an artwork)

PACHAMAMA ESTA ENFERMA (IS ILL)

2006

PACHAMAMA ESTA ENFERMA (IS ILL) - No Comment No Comment

A CROSS FOR OUR BOYS

2000

A CROSS FOR OUR BOYS - Designed and created in Kathmandu with local tailor Designed and created in Kathmandu with local tailor

NO LONGER A BOY

1999

NO LONGER A BOY - No Comment No Comment

PACHAMAMA IS ILL ( CLOSE UP)

2006

PACHAMAMA IS ILL ( CLOSE UP) - No Comment No Comment

PACHAMAMA (detail)

2006

PACHAMAMA (detail) - No Comment No Comment

MY PERFORMANCE AT THE CONVENTO THE SANTO DOMINGO

2006

MY PERFORMANCE AT THE CONVENTO THE SANTO DOMINGO - Better known as the Qoricancha, a huge Inca temple covered in gold, which the Dominicans with the help of Pizarro's brother seized for their own. I had an installation of feathers and my dance and song much to the horror of the 'pious' brothers, who shut the door of the gallery whenever I turned my back. I ride a feathered snake with a horse skull referring to the meeting of two worlds. Better known as the Qoricancha, a huge Inca temple covered in gold, which the Dominicans with the help of Pizarro's brother seized for their own. I had an installation of feathers and my dance and song much to the horror of the 'pious' brothers, who shut the door of the gallery whenever I turned my back. I ride a feathered snake with a horse skull referring to the meeting of two worlds.

MY PHALLIC MESTIZO ANIMAL FROM THE ANDES

2006

MY PHALLIC MESTIZO ANIMAL FROM THE ANDES - This was the horse I rode during my performance at teh Convento de SANTO DOMINGO. After my performance it became an part of an installation in the convent's gallery. Much later I altered it once more for it to become part of the the 'VIRACOCHA'S PROHECY' installation in the Apacheta gallery. And in 2008 it received its last transformation and became 'el Mestizo' in my exhibition 'TORO VIVO' This was the horse I rode during my performance at teh Convento de SANTO DOMINGO. After my performance it became an part of an installation in the convent's gallery. Much later I altered it once more for it to become part of the the 'VIRACOCHA'S PROHECY' installation in the Apacheta gallery. And in 2008 it received its last transformation and became 'el Mestizo' in my exhibition 'TORO VIVO'

THE PROPHECY OF VIRACOCHA 1

2006

THE PROPHECY OF VIRACOCHA 1 - You see part of an installation. I n front a horse skull turned into a mestizo animal which has bones of a lama and horse and corn leaves for the ears. It represents the meeting and mixing of two worlds. The Incas had the Lama, the Spanish ceme with the horses. You see part of an installation. I n front a horse skull turned into a mestizo animal which has bones of a lama and horse and corn leaves for the ears. It represents the meeting and mixing of two worlds. The Incas had the Lama, the Spanish ceme with the horses.

THE PROPHECY OF VIRACOCHA 2

2006

THE PROPHECY OF VIRACOCHA 2 - Exhibited in Galeria Apacheta in my show called 'DE WERE'E HACIA WAYRA INTI'. Components: a horse skull mounted with llama bones, surrounded by salt from the saltmines of Maras, coca leaves,corn,coral from the Tititcaca lake. a macaw's feahter, cotton, a plumed serpent made out of bamboo and feathers with a latex dildo on top and a red poncho from the Andes and cotton thread Exhibited in Galeria Apacheta in my show called 'DE WERE'E HACIA WAYRA INTI'. Components: a horse skull mounted with llama bones, surrounded by salt from the saltmines of Maras, coca leaves,corn,coral from the Tititcaca lake. a macaw's feahter, cotton, a plumed serpent made out of bamboo and feathers with a latex dildo on top and a red poncho from the Andes and cotton thread

THE PROPHECY OF WIRACOCHA 3

2006

THE PROPHECY OF WIRACOCHA 3 - Top of the plumed serpent was surrounded by a kind of dream catcher in the shape of a teepee, which reached all the way to the floor which was salt from Maras. It stood in a square basin filled with salt and was marked in the four corners with corn eaves on sticks which represented the Inca tawantinsuyo and the four elements whcihc alos represented fertility. Top of the plumed serpent was surrounded by a kind of dream catcher in the shape of a teepee, which reached all the way to the floor which was salt from Maras. It stood in a square basin filled with salt and was marked in the four corners with corn eaves on sticks which represented the Inca tawantinsuyo and the four elements whcihc alos represented fertility.

KING TOOT (detail)

2003

KING TOOT (detail) - no comment no comment

GUARD FOR STRONGMAN

2001

GUARD FOR STRONGMAN - no comment no comment

Guard For Young Scout

2001

Guard for young scout - No Comment No Comment

Naga

2001

Naga - No Comment No Comment

OEDIPUS

2001

OEDIPUS - No Comment No Comment

Penile Fantasia

2001

Penile fantasia - No Comment No Comment

RELEASE ME

2001

RELEASE ME - No Comment No Comment

THE HOLY FAMILY

1996

THE HOLY FAMILY - No Comment No Comment
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